How Does the Culture of China Art Influence the Identity and World Perspective of Its People?

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If y'all've ever taken an fine art history course or spent time in a fine arts museum, chances are you know a lot nigh the men who "defined" their mediums. Equally with other subjects, virtually of what we learn about art history today however centers on white men from Europe and, later, the United States. In reality, in that location are so many more artists of all genders to learn from and appreciate.

Here, nosotros're specifically taking a look at just some of the women who take had lasting impacts on their fine art forms. From some of the art world's most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, however have a mitt — in changing the world of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Picture show Stills (1977–eighty). series. Photos Courtesy: Museum of Modernistic Art (MoMA)

Photographer Cindy Sherman was function of the Pictures Generation during the 1980s, and is mayhap most well known for her series of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person motion picture characters, amidst them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media'southward influence over our individual and commonage identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a motion picture of the installation Half-A-Room, 1967, every bit seen at the Museum of Modern Fine art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first think of Yoko Ono as a musician and activist, just she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance fine art move, earning the nickname the "Loftier Priestess of the Happening".

One of her well-nigh revered works, Cut Piece, was a performance she start staged in Japan; Ono saturday on phase in a squeamish conform and placed scissors in front of her, and, in an act of daring vulnerability, invited audition members to come on phase and cut abroad pieces of her clothing. "Fine art is similar breathing for me," Ono has said. "If I don't practice it, I start to asphyxiate."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective changed her entire career trajectory — and, in turn, function of the trajectory of fine art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the fox is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of fine art, then you might be able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo'south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in United mexican states. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is best known for exploring themes like death and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as 1 of the well-nigh influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2022 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, only she'south also known for her hyper-existent sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which utilize mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Old First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'southward work — and her signature grayscale skin tones — as she was the first Blackness woman to complete a presidential portrait for the Smithsonian'due south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a work from her series, Pelvis Series Red With Yellow in Albuquerque, New United mexican states. Photograph Courtesy: Tony Vaccaro/Getty Images

Known equally the female parent of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, merely perchance, the skyscrapers of New York Urban center. In the 1920s, she was the first woman painter to proceeds the respect of the New York art world, all by painting in her unique mode.

Adrian Piper

Adrian Piper wins the Aureate Panthera leo for best creative person in Okwui Enwezor'southward biennial exhibition All the World'due south Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audition to confront truths about themselves. She frequently challenged people on the streets of New York to gauge her race, socio-economic class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'southward poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship betwixt Islam'south cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer's work focuses on words and ideas, which she puts on advertizing billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity equally meditations on various concepts, such as trauma, cognition, and hope. One of her more notable works, I Scent Yous On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'southward Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore's fine art addresses identity and history — and, in item, houselessness and the voicelessness of the Get-go Nations People in Canada. Equally an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic North American civilisation. In 2005, she was the commencement Ethnic woman to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider higher up — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art motion. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist fine art program in the United States.

Augusta Savage

Augusta Brutal with 1 of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In improver to creating scenic sculptures, often of Blackness folks, Barbarous founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years after, she became the showtime Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modernistic Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (But expect up her most famous work, Interior Scroll, and you'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal gild.

Nan Goldin

Nan Goldin'southward Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's piece of work challenges traditional power relations. In add-on to documenting New York City'southward queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you lot? Well, that's the thought! Elaine Sturtevant, who went by her final name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilisation.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based creative person, Asawa'southward last public commission was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during World War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

All the same from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Bear upon Award at the Indiecade Festival in 2022 and the Creative Award from the Gender Justice League in 2016. She believes instruction is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2022 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who besides specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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